In other words, webcomics audience readers grow without diminishing classic comics. Lore Olympus, by Rachel Smythe Source: Webtoons platform, available at Then, on the other hand, with the increase in comic book sales in the US and Canada in 2018:Īccording to a new study by ICv2 and Comichron, total comic book sales to consumers in the United States and Canada were around $ 1.095 billion in 2018, $ 80 million more than in 2017 and $ 10 million more than the previous record of 2016 (Nascimento, 2019).
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This guaranteed, in 2019, the contract with a production company to turn the webcomic into an animation series (Boucher, 2019). 1), created by Rachel Smythe and published on platform, which has more than 15 million daily readers. This webcomics audience rise that keeps classic 1 comics public unaffected can be exemplified, on the one hand with “Lore Olympus’” success (Fig. However, this media has evolved, migrating from paper to digital environments, not necessarily taking its already consolidated public with them, but instead reaching a new one.
When talking about comics, the immediate mental response goes to printed magazines, whether in a monthly smaller format, with lower prices and longer runs, or in Graphic Novels, with more expensive finishes and limited distribution.
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